The monsters know what theyre doing
If the reader has ever met with the works of the learned folk-lorist G. Andrews to Folk-Lore  , he will be aware that there are in Italy great numbers of strege, fortune-tellers or witches, who divine by cards, perform strange ceremonies in which spirits are supposed to be invoked, make and sell amulets, and, in fact, comport themselves generally as their reputed kind are wont to do, be they Black Voodoos in America or sorceresses anywhere.
But the Italian strega or sorceress is in certain respects a different character from these. In most cases she comes of a family in which her calling or art has been practised for many generations. The result has naturally been the accumulation in such families of much tradition. But in Northern Italy, as its literature indicates, though there has been some slight gathering of fairy tales and popular superstitions by scholars, there has never existed the least interest as regarded the strange lore of the witches, nor any suspicion that it embraced an incredible quantity of old Roman minor myths and legends, such as Ovid has recorded, but of which much escaped him and all other Latin writers .
This ignorance was greatly aided by the wizards themselves, in making a profound secret of all their traditions, urged thereto by fear of the priests. In fact, the latter all unconsciously actually contributed immensely to the preservation of such lore, since the charm of the forbidden is very great, and witchcraft, like the truffle, grows best and has its raciest flavour when most deeply hidden.
However this may be, both priest and wizard are vanishing now with incredible rapidity--it has even struck a French writer that a Franciscan in a railway carriage is a strange anomaly--and a few more years of newspapers and bicycles Heaven knows what it will be when flying-machines appear!
However, they die slowly, and even yet there are old people in the Romagna of the North who know the Etruscan names of the Twelve Gods, and invocations to Bacchus, Jupiter, and Venus, Mercury, and the Lares or ancestral spirits, and in the cities are women who prepare strange amulets, over which they mutter spells, all known in the old Roman time, and who can astonish even the learned by their legends of Latin gods, mingled with lore which may be found in Cato or Theocritus.
With one of these I became intimately acquainted in , and have ever since employed her specially to collect among her sisters of the hidden spell in many places all the traditions of the olden time known to them.
It is true that I have drawn from other sources, but this woman by long practice has perfectly learned what few understand, or just what I want, and how to extract it from those of her kind.
Among other strange relics, she succeeded, after many years, in obtaining the following "Gospel," which I have in her handwriting. A full account of its nature with many details will be found in an Appendix. I do not know definitely whether my informant derived a part of these traditions from written sources or oral narration, but believe it was chiefly the latter.
However, there are a few wizards who copy or preserve documents relative to their art. I have not seen my collector since the "Gospel" was sent to me.
I hope at some future time to be better informed. For brief explanation I may say that witch craft is known to its votaries as la vecchia religione, or the old religion, of which Diana is the Goddess, her daughter Aradia or Herodias the female Messiah, and that this little work sets forth how the latter was born, came down to earth, established witches and witchcraft, and then returned to heaven.
With it are given the ceremonies and invocations or incantations to be addressed to Diana and Aradia, the exorcism of Cain, and the spells of the holy-stone, rue, and verbena, constituting, as the text declares, the regular church-service, so to speak, which is to be chanted or pronounced at the witch-meetings.
There are also included the very curious incantations or benedictions of the honey, meal, and salt, or cakes of the witch-supper, which is curiously classical, and evidently a relic of the Roman Mysteries.
The work could have been extended ad infinitum by adding to it the ceremonies and incantations which actually form a part of the Scripture of Witchcraft, but as these are nearly all--or at least in great number--to be found in my works entitled Etruscan-Roman Remains and Legends of Florence , I have hesitated to compile such a volume before ascertaining whether there is a sufficiently large number of the public who would buy such a work.
Since writing the foregoing I have met with and read a very clever and entertaining work entitled Il Romanzo dei Settimani, G. Cavagnari, , in which the author, in the form of a novel, vividly depicts the manners, habits of thought, and especially the nature of witchcraft, and the many superstitions current among the peasants in Lombardy. Unfortunately, notwithstanding his extensive knowledge of the subject, it never seems to have once occurred to the narrator that these traditions were anything but noxious nonsense or abominably un-Christian folly.
That there exists in them marvellous relics of ancient mythology and valuable folklore, which is the very cor cordium of history, is as uncared for by him as it would be by a common Zoccolone or tramping Franciscan. One would think it might have been suspected by a man who knew that a witch really endeavoured to kill seven people as a ceremony or rite, in order to get the secret of endless wealth, that such a sorceress must have had a store of wondrous legends; but of all this there is no trace, and it is very evident that nothing could be further from his mind than that there was anything interesting from a higher or more genial point of view in it all.
His book, in fine, belongs to the very great number of those written on ghosts and superstition since the latter has fallen into discredit, in which the authors indulge in much satirical and very safe but cheap ridicule of what to them is merely vulgar and false.
Like Sir Charles Coldstream, they have peeped into the crater of Vesuvius after it had ceased to "erupt," and found "nothing in it. I have done what little it is really very little I could, to disinter something from the dead volcano of Italian sorcery.
If this be the manner in which Italian witchcraft is treated by the most intelligent writer who has depicted it, it will not be deemed remarkable that there are few indeed who will care whether there is a veritable Gospel of Witches, apparently of extreme antiquity, embodying the belief in a strange counter-religion which has held its own from pre-historic time to the present day. I should, however, in justice to those who do care to explore dark and bewildering paths, explain clearly that witch-lore is hidden with most scrupulous care from all save a very few in Italy, just as it is among the Chippeway Medas or the Black Voodoo.
In the novel to the life of I Settimani an aspirant is represented as living with a witch and acquiring or picking up with pain, scrap by scrap, her spells and incantations, giving years to it. So my friend the late M. Dragomanoff told me how a certain man in Hungary, having learned that he had collected many spells which were indeed subsequently published in folklore journals , stole into the scholar's room and surreptitiously copied them, so that the next year when Dragomanoff returned, he found the thief in full practice as a blooming magician.
Truly he had not got many incantations, only a dozen or so, but a very little will go a great way in the business, and I venture to say there is perhaps hardly a single witch in Italy who knows as many as I have published, mine having been assiduously collected from many, far and wide.
Everything of the kind which is written is, moreover, often destroyed with scrupulous care by priests or penitents, or the vast number who have a superstitious fear of even being in the same house with such documents, so that I regard the rescue of the Vangelo as something which is to say the least remarkable. Of the sufferings of Mankind, and how Diana sent Aradia on earth to relieve them by teaching resistance and Sorcery--Poem addressed to Mankind--How to invoke Diana or Aradia.
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If the reader has ever met with the works of the learned folk-lorist G. Legare, the binding and paralysing human faculties by means of witchcraft. How Diana Gave Birth to Aradia. Aradia has ratings and 61 reviews. Steve said: In Northern Italy there are vestiges of an ancient faith that maybe still practiced by the common pe.
Mocked for this, she attempts suicide by flinging herself from a tower, but the intervention of a beautiful, unearthly woman leaves her unharmed. While I This is a book I araxia been meaning to read for some time.
Jul 27, Patrick rated it really liked it. Does this mean that the UK judicial system You get out of it what you like. The stories are interesting and quite different from what we see in other mythology concerning witchcraft. Other spells address more practical concerns, including one to insure a good grape harvest yielding a wine that will not spoil.
A farmer in Burkina Faso looked to his ancestors and came up with an innovative solution. He differs from Leland in many ways, particularly in portraying her as a witch who lived and taught in gopsel Italy, rather than a goddess. We seek to retell the story of our beginnings. This gospell was last edited on 27 Decemberat Oct 20, Victoria Haf rated it liked it. Leland claimed that the book he wrote was based on very good resources and stories repeated by centuries of people who were interested in witchcraft.
Ancient Anomalous Human Skeletons: Also, the rituals seem much simpler than casting circles and using altars like in other Pagan rituals. The narration of the audio version was kind of strange.
Its accuracy is disputed by some, while others consider it a vital resource for studying and understanding Italian witch folklore of the 19th century. She tries to persue him but he only succeeds in evading her. I think that it confused me more than helped me about the lore and which gods and goddesses are which, though. The Journal of Pagan Studies. Dina Pazzaglini is well acquainted with standard Italian and with the complicated. Aradia is considered the foundation text for modern witchcraft, especially British Traditional Wicca.
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