My journey back to life download
The stakes were high, then, for the young man born in Joplin, Mo. He had to deliver. After establishing the conflicts and desires of the adults, the narrative becomes a bildungsroman.
Here it finds its true purpose: chronicling the upbringing of Sandy, the son of Jimboy and Annjee, as he struggles to forge an identity outside of the boxes the white and black worlds have put him in, and tries to find stability within his increasingly unstable home.
Each family member provides an example of how Sandy might navigate his world. Hager finds sanity and solace in forgiveness, in assuming the best in people who are too ignorant to reciprocate that courtesy.
Her benevolence is her own existential armor. Her beliefs stand in stark contrast to those of many other negroes, including her own children. She runs away with the carnival,then returns to town and dabbles in sex work before finally getting a break as a singer. Her story begins as one of classic teenage rebellion but ends as an example of fierce determination.
Sandy recalls Aunt Hager, a woman who frowns on secular dancing — even if that dancing takes place in her own yard — whirling round and round at a revival in religious ecstasy. Like his one-time collaborator and contemporary Zora Neale Hurston, Hughes takes an anthropological approach to setting and character development. Sandy is an ideal protagonist for a novel so interested in place and culture — an observant boy with a penchant for finding the extraordinary in the ordinary.
He listens intently during warm nights spent on the porch with Aunt Hager, with an occasional visit from Sister Johnson or the speechifying Madam de Carter. The respectability argument is so attractive to some that nearly eight decades later it still rears its head with regard to black art and representation.
Many blacks in Kansas arrived from the South after emancipation, and with the advent of automation and the decline of agricultural work, blacks kept traveling north and west in search of opportunities.
A migration narrative is necessarily a story of change. I got a mule to ride. Down in the South somewhere. Hager sees hotels as breeding grounds for vice and sin, but both Harriet and Sandy jump at the chance to work at one, motivated by a paycheck. Hughes uses the songs and dances of Jimboy and Harriet as well as the church revival culture of Hager and Annjee — in scenes taking place on the same night, less than a half mile apart — to depict the crossroads between the traditions that have given expression to the community in the past and those that might fill that role in the future.
The scene of Jimboy about to cut out for the road once again — this time for good — is one of the most poignant in the book. The father takes his son in his arms and kisses him awkwardly. He does not say goodbye. Later that afternoon Sandy discovers Jimboy has left town.
Its characters ultimately prize family over their own ideological resolve, though it takes some longer than others to get there.
The one exception is Jimboy, who remains elusive throughout the novel, a father figure always out of reach. A poet who writes fiction can imbue his prose with a considerable amount of magic. For Hughes, his magic is an appreciation for the lyrics and rhythms of jazz and blues. They underscore the importance Hughes felt they played in black life and consciousness. The scene ends with Sandy running away, but Hughes writes that Sandy wondered what such men did with the boys they seduced.
Rice, berate his mother as she packs up leftovers for him. Brown-skins, come near! By this time he had parted ways with his white benefactor Charlotte Mason; his resentment over the split might explain why these stories reach for concrete conclusions that do not similarly burden his novel.
Hughes accesses the universal — how all of us love and dream and laugh and cry — by staying faithful to the particulars of his characters and their way of life. With this book the young poet from Joplin, Mo. Such a guide is still useful to readers and writers today. Perhaps now more than ever. Home Page World U.
House of night book 4
In Not without Laughter, Langston Hughes, the great early twentieth century American novelist, poet and playwright, presents the story of Sandy Rogers, a young black boy in the early s growing up in the Midwest. Hughes aims to tell the story of black American life in the mid-west within two generations following slavery. He sets the story in Stanton, Kansas and focuses on the relations between blacks and whites, the tensions between different philosophies of living with oppression, the subtle and not-so-subtle racist social norms of Midwestern white society, poverty, religion and the possibility of a black person improving his or her position within a white society.
Sandy is a young boy when the story begins. He lives with his mother, Annjee, his aunt Harriet and his grandmother Aunt Hager. His father, Jimboy, travels the country working odd jobs and rarely writing home. His other aunt, Tempy, has married into black high-society that attempts to imitate whites to becomes acceptable to white society.
In part due to a lack of education and in part due to direct discrimination against blacks, Sandy's family is very poor.
Aunt Hager is the family matriarch. She is a seriously religious Christian who tries to keep the family in church and well-behaved. She remembers being a slave as a little girl, but her general attitude towards white society is that oppressed is to be endured with love for the neighbor and prayer and forgiveness for the oppressor.
She is also largely responsible for raising Sandy, particularly after Annjee leaves to be with Jimboy.
Sandy's Aunt Harriett leaves home after a conflict with Aunt Hager and becomes a prostitute, while Tempy will hardly give her family the time of day.
Aunt Hager is determined to raise Sandy right and keeps him employed and in school. She pushes Sandy to dream big for himself despite the odds against him and wants him to become a "great man". Tempy is embarrassed by her lower-class black past and has removed all of her "dialect" and goes to the Episcopal Church with her husband.
She discourages Sandy from getting in trouble and keeps him in high school. The large number of books in her house gives Sandy the opportunity to read, and he quickly acquires a habit of constantly reading.
The books he reads expand his mind and lead him to ask big questions about religion, morality and race relations.
Sandy saves up money to continue his education, but Annjee wants him to keep his job as a bell-boy and make a living. About that time, Harriett has made her way out of darker places and has utilized her natural beauty and singing talent to become a regional blues singing star. When Sandy and Annjee go to see her in Chicago, Harriett berates Annjee for discouraging Sandy's education and reminds her of Aunt Hager's dreams for him.
When Annjee relents, Harriett commits to funding Sandy's education. Read more from the Study Guide. Browse all BookRags Study Guides. All rights reserved. Toggle navigation. Sign Up. Sign In. Get Not Without Laughter from Amazon.
View the Study Pack. View the Lesson Plans. Plot Summary. Chapters , Storm, Conversation, Jimboy's Letter. Chapters , Thursday Afternoon, Guitar, Work. Chapters , White Folks, Dance, Carnival. Chapters , Punishment, School, Hard Winter.
Chapters , Christmas, Return, One by One. Chapters , Chicago, Elevator, Princess of the Blues. Free Quiz. Topics for Discussion. Print Word PDF. This section contains words approx. Themes Style Quotes. View a FREE sample. More summaries and resources for teaching or studying Not Without Laughter.
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